Tottemo Production

Narrative Studio & Art-Driven Production House

We create stories that resist silence.

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We are a narrative studio and art-driven production house working at the intersection of fiction, documentary, performance, and artistic research. Our work emerges from lived realities and imaginative ruptures, told through film, theatre, installation, sound, and text. We train AI characters with stories, memories and moral architecture that offer companion, entertainment and guidence.

Through intimate stories and bold structural reflections, we expose the fault lines of society, question the logic of systems, and explore what it means to resist, transform, or simply endure.

Founded by director and writer Anna Maria Joakimsdottir-Hutri, Tottemo collaborates with artists, institutions, and co-producers to bring forward projects that carry both vulnerability and edge.

We offer narrative consultancy, direction, workshop facilitation, and cross-disciplinary project development. Our current focus lies in immersive formats, performative research, and hybrid storytelling.

Tottemo is expanding into the development of AI-driven characters shaped by story logic, moral architecture, and emotional resonance. We train narrative agents with complex backstories and ethically designed frameworks, intended not as passive NPCs, but as reflective presences capable of guiding, provoking, or supporting users within interactive environments. These characters may draw from memory, myth, or lived experience, offering companionship, challenge, or counsel.

We partner with technology developers and platform builders who seek narrative depth and artistic integrity in their AI systems, believing that fictional beings can be created not just to simulate, but to signify.

Productions

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Frankenstein -a horror comedy

The process of creating the staged play was an extension of my research of Artistic Collaborative Tools. I started with a work group of 5 writer/actors and assigned them to take part in the adaptation of the Novel. After we had created a shared understanding of what sections of the book we wanted to emphasise on I took the next step in creating assignments for the participants to work out and improvise around.

Blue dolphine

In the film I treated the subject of striving for your dreams. Of how easy it is to fall into the trap of stereotype roles when two artists builds a family. How a dream can become a nightmare when the beautiful house that artist couple moved to in the woods is in need of so much maintenance that they loose contact and never see eachother.

Through the supermarket in five easy pieces

The screenplay won the competition for a dance film production 2016. Often dance in films jump out as a separate section but I wanted to challenge the old narrative- choreography dichotomy and was inspired by the contemporary dance icons like Pina Bausch. The film has since its release in end of March 2017 been invited to both narrative orientated and dance orientated film festivals and won several first prizes. I was also invited as an object of research to the International Meeting on Video- dance at Universidad Polytechnic de Valencia.